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2 results
for:
A Conga-Line in Hell
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Composer:
Miguel del Aguila
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Duration: 11:00
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Instrumentation: 1-1-1-1; 1-1-1-1; hp-pf-perc; solo str
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Availability:
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Duration: 11:00
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Instrumentation: fl, cl, pf, hp, perc, 8 vc
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Availability:
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"Conga-Line in Hell" began in my imagination as the visual image of an endless line of dead people dancing through the fire of hell. I gradually started hearing the music, and Dante's Paolo and Francesca da Rimini story soon became part of the scene. This inferno is humorous, sarcastic, grotesque and at times also terrifying. I rely mainly on the dramatic and expressive qualities of rhythm to convey the evil forces that govern my imaginary hell. As thematic material I primarily use rhythmic claves (Spanish for clef or key) as they are used in Latin American music: a sort of 'rhythmic tonality' to which harmony and melody must conform. The rhythmic pattern of the conga dance beats throughout the piece and is at times distorted into a 13/16 pattern. It employs unusual percussion, unusual rhythmic structures and instruments are often playing at their most extreme registers. The piano is used 'obbligato' as a sort of metronome, very much like the harpsichord of the old Baroque times. -- Miguel del Aguila |
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